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Accession number
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0000-0264-0-CA
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Title
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Untitled
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Description
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Thick, impasto, lumpy handfuls of black paint, applied to the canvas with the artist’s fingers, with red paint overlapping the black and filling the negative spaces around it. Canvas made from two pieces of fabric stitched together.
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Inscriptions
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None
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Dimensions with frame
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N/A
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Condition
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Remounted. Craquelure. Tears along the left edge where the canvas has been affixed to the frame. Some dust and dirt on the surface of the painting. Unpainted areas of the canvas appear brown.
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Bibliography of printed matter
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Yin Ker, “An Essay on Non-Forms: Tang Chang (1934–1990), a Modern Painter of Literati Aspirations from Bangkok,” in Tang Chang (1934–1990): Non-Forms (Bangkok: The Tang Chang Private Museum), 25.
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All known reproductions.
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Tang Chang: Abstract Paintings - Concrete Poetry. (Nakhon Pathom: The Tang Chang Private Museum, 2013), 29, 150, 151.
จ่าง แซ่ตั้ง: จิตรกรรมนามธรรม บทกวีรูปธรรม. (นครปฐม: พิพิธภัณฑ์ จ่าง แซ่ตั้ง, 2556), 29, 150, 151.
[Caption: Untitled (1) / 1963 / oil on canvas / 173 x 195 cm.]
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Yin Ker and Marcella Lista, Tang Chang (1934-1990): Non-Forms. (Bangkok: The Tang Chang Private Museum, 2023), 42, 65a.
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David Teh, ed., “Misfits”: Pages from a loose-leaf modernity (Berlin: Haus der Kulturen der Welt, 2017), 9.
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Exhibition history.
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Tang Chang: Abstract Paintings–Concrete Poetry [จ่าง แซ่ตั้ง: จิตรกรรมนามธรรม บทกวีรูปธรรม]. Art Gallery G23, Srinakharinwirot University, Bangkok, Thailand. February 15–April 28, 2013.
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Tang Chang: The Painting that is Painted with Poetry is Profoundly Beautiful. Smart Museum of Art, the University of Chicago, Chicago, USA. May 8–August 5, 2018.
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Tang Chang (1934–1990): Non-Forms. Centre Pompidou, Paris, France. October 20, 2023–April 8, 2024.
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"Misfits": Pages from a loose-leaf modernity. Haus der Kulturen der Welt, Berlin, Germany. April 21–July 3, 2017.
1963-0043-0-CA *Rephotograph
